Susan Buck-Morss – Aesthetics Freed From Art

Posted in Uncategorized by dilettanteventures on 06/04/2012

Aesthetics after the End of Art: An Interview with Susan Buck-Morss

But again, why is “art” privileged as the object of such experience? I really don’t know what the word means any more. Aesthetics, however, seems to me more important than ever. “Aesthetics after art,” you might call it.

Allan Kaprow – Education of the Un-artist Part II

Posted in Uncategorized by dilettanteventures on 05/28/2012

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Border Control – Fritz Haeg

Posted in Uncategorized by dilettanteventures on 05/21/2012

“Border Control” –  Fritz Haeg

We patrol our own borders, making sure nothing unworthy is allowed to enter and that everything inside is too precious for the rest of the world to participate in. When we do invite participation, it’s on our own terms, and we’ve already decided what will happen anyway….To be able to make the work that I am aiming to make – alive and engaged in a broader dialogue, straddling fields, disconnected conversations and discrete communities – I need to be prepared to make ‘not art’.

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Anne Waldman – Field Poet – Outrider – Archeologist Of Morning

Posted in Uncategorized by dilettanteventures on 05/16/2012

VIDA Interview with Anne Waldman: “From the Larynx”

I am interested in the magical properties of language  — its sound and image, its logopoeia . I consider myself a field poet, an investigative poet, “an archeologist of morning” (Olson’s term). And to see the world, its exigencies, tragedies in a “new light” or a refreshed light through a heightened perception of language is what I try to do.  Spiritual perhaps, but also a down-to-earth practice.  A way into my own consciousness, into body, dreamscapes, other considerations of space, time, neuralinguistics, astronomy and so on – back and forth, up and down the spiral. And “lalita”- the “play”, delight in the particulars. And maybe we will leave a trace- who knows – poetry archives on the moon or Mars? I appreciate the fragments of Sappho!

“Outrider” is not “outsider”, but rides alongside the mainstream, intervenes upon it, but keeps her autonomy…Outrider is another rhizome, another complexity, not static, but in constant motion. Many experimental women have evolved new writing strategies and performances beyond the left-hand margin look and content-driven epiphany of the poem. Ambitious projects that eschew the master scriptures of shape and form which have been male gendered for centuries. There’s also reclamation back to older less theistic forms of practice.  The outrider also seems socially, culturally engaged, involved with creating alternative infra-structures, aside the academic mainstream. Less careerist, if you will [emphasis mine].

Doing Nothing – Jean-Yves Jouannais – Artists Without Works

Posted in Uncategorized by dilettanteventures on 05/09/2012

“Can artists create art by doing nothing?” – Andrew Gallix

The artists he brings together all reject the productivist approach to art, and do not feel compelled to churn out works simply to reaffirm their status as creators. They prefer life to the dead hand of museums and libraries, and are generally more concerned with being (or not being) than doing. Life is their art as much as art is their life – perhaps even more so.

Stephen Wright – Invisible Art – Quitting

Posted in Uncategorized by dilettanteventures on 05/04/2012

“Behind Police Lines: Art Visible and Invisible” – Stephen Wright

I suspect that one reason for the artworld’s warm embrace of Rancière’s aesthetic theory is that it tells the artworld what it wants to hear about itself; it reinforces the glowing stereotype that the artworld fancies for itself – that is, as an inherently political and almost subversive place, whatever sort of predictable and conventional buffoonery it actually engages in.

And it may well be for this reason that ever more artists today are quitting the artworld, sacrificing their coefficient of artistic visibility in favour of a more corrosively dissensus-engendering capacity in the dominant semiotic order. For to see something as art according to the dominant performative paradigm of the contemporary artworld, is to acknowledge something terribly debilitating: that it is just art – not the dangerous, litigious, real thing. It is not my intent to deny that art can, on occasion, do what Rancière claims it can: for the artworld élite that likes that sort of thing, the concentrated, composed and self-reflective works one finds in museums have a disruptive value that is far from negligible. But deliberately circumscribing it within the policed structure of the artworld is to ensure that our relationship to art remains one of constantly renewed, constantly dashed hopes.

“Freedom to show your respect and responsibility”

Posted in Uncategorized by dilettanteventures on 03/18/2012

via NY Times:

Forty or so miles north of Venice, on the slopes of Cartizze — prime prosecco country — is a charming stone house called Osteria Senz’ Oste. Depending on whom you ask, the name translates to ‘‘Tavern Without Host’’ or ‘‘Bar Without Barkeep,’’ and the place is exactly that.

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The Art of Work – Roger Coleman

Posted in Uncategorized by dilettanteventures on 02/21/2012

“The very artiness of the events organized by even the most progressive artists showed thay they still saw themselves and their work as an elite – as somehow special. Nor could I sympathize with people who wanted to form an artists’ union or, to give a more proletarian ring to it, an art-workers’ union. To me such a pretence served only to emphasize the split between art and everyday life…Seeing art increasingly as a middle-class pretension, I had little choice but to give it up…I would have to sleep in a lonely bed.” – Roger Coleman

Thoreau – Art/Life

Posted in Uncategorized by dilettanteventures on 02/06/2010

The true poem is not that which the public read. There is always  a poem not printed on paper, coincident with the production of this, stereotyped in the poet’s life. It is what he has become through his work. Not how is the idea expressed in stone, or on canvass or paper, is the question, but how far it has obtained form and expression in the life of the artist. His true work will not stand in any prince’s gallery. [italics in original; bold emphasis mine] – H. D. Thoreau in A Week on the Concord and Merrimack Rivers

Alexander Koch – Quitting – Stephen Wright

Posted in Uncategorized by dilettanteventures on 11/18/2009

“Why would an ex-artist potentially bring more creativity, more imagination or more self-responsibility to natural sciences and medicine than anybody else. I think Richard Rorty (whom we both admire) would actually support me here. If artists merely become social scientists or long-distance runners, or if they do become social scientists or long-distance runners “as artists”, would sound for him a) as really hard to distinguish, b) unclear what this distinction is good for, and c) sound like an attempt to find something essential about what artists are, exactly in the very moment of their disappearance, whereas my theoretic proposals of the artistic dropout try to contribute to an anti-essentialist perspective on that disappearance.” – from an amazing interview here.

InCUBATE – In Search of the Mundane – threewalls

Posted in Uncategorized by dilettanteventures on 10/31/2009

6932_803751403632_5100280_46748976_320576_n I had the good fortune of working with  my friends InCUBATE and threewalls for an event series called In Search of the Mundane. You can see more here and read a (sort of) review here.

David Robbins – An Imaginative Elsewhere

Posted in Uncategorized by dilettanteventures on 08/19/2009

“All the time, though, my sensibility pointed toward and yearned for an imaginative Elsewhere. I became increasingly dissatisfied with the narrowness of art as a formulation of the imagination. This will sound preposterous to many people, I’m aware, given that art offers and represents extraordinary behavioral freedoms, but in “making art” I found an ultimately enslaving formulation. How so? In art, you can do, yes, anything you want so long as you’re willing to have it end up as art. That isn’t real imaginative freedom, in my view. Inquisitiveness of mind will carry you past art, and apparently I love inquisitiveness of mind more than I love art.” – David Robbins [emphasis mine]

Sunday Soup Houston – InCUBATE – SKYDIVE – Saturday Free School for the Arts

Posted in Uncategorized by dilettanteventures on 03/28/2009

Saturday, April 4th 2009

I’m doing a talk with InCUBATE at the Saturday Free School for the Arts in Houston, TX.

Saturday Free School for the Arts will offer a range of skill shares, lectures, and workshops. It is a fluid structure where teachers become students and pupils can become teachers. Members of the community will be invited to teach and may also propose seminars. In the tradition of free schools, the Saturday Free School is an ever shifting and open collective of artists and participants, who gather together at the Skydive, a contemporary arts space in Houston. Saturday Free School for the Arts remains responsive to the interests of its participants.  Through a community of artists Saturday Free School offers freedom from expensive and immutable educational institutions. Saturday Free School for the Arts provides workshops, classes and skill-shares at no cost to it’s participants.”

Sunday, April 5th 2009

Sunday Soup at SKYDIVE. Nancy Zastudil and I are bringing InCUBATE to Houston for Sunday Soup Texas style.

“SKYDIVE utilizes an open and collaborative model for producing its programming. A group of artists, curators, and other professionals function as Advisors to help create shows, invite artists, and collaborate in the mission and programming of the space. Participants in SKYDIVE will be invited to Houston for a sustained number of days, previous to the exhibition to make their work, interact with the Houston community and see the sites in Houston and surrounding areas.”

Kaprow – Unart

Posted in Uncategorized by dilettanteventures on 01/15/2009

“This is not because I don’t like the arts, or that I’m not interested in the arts of other people. But as far as I was personally concerned, the un-arting process was primary and, therefore, I would not find useful any integration of social and cultural theory into art-making.” – Allan Kaprow

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